Nb: chorus part-writing allows use of assigning parts per players' individual ranges. Nearly every singing role has at least one solo line.
Selected songs could be transposed a bit: e.g. In Philadelphia, He's Gone, Water from the Well, Where Will Love Be Found?
4 non-singing roles: Shays Marcher #8, Voice at the Arsenal, Madison servant, Secretary Jackson
A Hamilton and J Madison connectors
| We Met Last
Summer A Hamilton high tenor ("barbershop" tenor) Dickinson tenor J Madison bari-tenor Randolph prefer baritone, possibly tenor Read "barbershop" low bass |
Books E Hamilton soprano A Hamilton high tenor J Madison bari-tenor In Philadelphia/They Need Me E Hamilton soprano A Hamilton high tenor |
| Who Are
We?/Someday E Hamilton soprano D Madison mezzo soprano A Hamilton high tenor J Madison bari-tenor Washington bass |
| I Have
Failed/Dawning of the Day Franklin tenor J Madison bari-tenor |
More Like the British
& America the Miracle A Hamilton high tenor Pinckney high tenor |
notes on Pitcher and other connectors
| Mollie Pitcher role was originally written as a contralto, but has been written as a low alto here for practicality. 'Could change back. ('Was altered even higher for Opera Studio class members cast.) At the Indian Queen Sherman, Ellsworth, Read, Martin |
Butler and Jackson, the Slave Peculiar Institution & Three-fifths of a Man Butler baritone Jackson, the Slave bass or bass-baritone + falsetto Lansing and Yates duet He's Gone Lansing tenor with good low range Yates baritone with good high range |
